The normal form
corresponds to one of the successive-interval arrays
of a [pc set]. It represents all possible realizations
of this [pc set] and its transpositions.
– Michiel Schuijer, Analyzing
Atonal Music
Required Textbook
Joseph N. Straus, Introduction to Post-Tonal Theory,
4/e (New York: Norton, 2016). Table of Contents; E-book: VitalSource
Babbitt, Milton. 2003. The Collected Essays of
Milton Babbitt, edited by Stephen Peles, Stephen Dembski,
Andrew Mead, and Joseph N. Straus. Princeton, NJ: Princeton
University Press. {GB}
Forte, Allen. 1973. The Structure of Atonal Music. New
Haven: Yale University Press. {GB}
Lewin, David. 2007/1987. Generalized Musical Intervals and
Transformations. New York: Oxford University Press. {GB;
Full text: TCL}
Morris, Robert. 1987. Composition with Pitch Classes: A
Theory of Compositional Design. New Haven: Yale University
Press. {GB}
Rahn, John. 1980. Basic Atonal Theory. New York: Longman.
{GB}
Straus, Joseph N. 2022. The Art of Post-Tonal Analysis:
Thirty-Three Graphic Music Analyses. New York: Oxford
University Press. {GB;
Full text: TCL;
Videos: Website;
YouTube
Playlist; OUP}
______________ 2018. Broken Beauty: Musical Modernism and
the Representation of Disability. New York: Norton. {GB;
Full text: TCL;
Videos: Website; YouTube
Playlist; Oxford}
______________ 2016. Introduction to Post-Tonal Theory,
4th ed. New York: Norton. {GB}
Legend ASC - Arnold
Schoenberg Center (Vienna) ETS -
Explore the Score (Klavier-Festival Ruhr)
GB - Google Books IRCAM
- Institut de recherche et coordination acoustique/musique (Paris) MTO - Music Theory Online TCL
- Thomas Cooper Library (Find It @ USC Libraries)