BAIN MUSC 525
Post-Tonal
Theory
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to: MUSC 525
Post-tonal theory (Straus 2016) invokes a variety of basic mathematical concepts, especially concepts from discrete mathematics (e.g., number theory, set theory, combinatorics, and graph theory). Concepts from algebra, abstract algebra (especially group theory) and geometry have also played a significant role in its development. Moreover, the emerging field of mathematical music theory is constantly expanding the repertoire of mathematical approaches used to understand musical objects, entities, operations, relations, and spaces; e.g., see the Journal of Mathematics and Music, MuseMat, and proceedings of the Society for Mathematics and Computation in Music. For a historical overview of the development of pitch-class set theory, I recommend reading Babbitt 2003 and Schuijer 2008. To learn more about mathematics and the twelve-tone system, I recommend reading Morris 2007.
Below you will find links to definitions of the mathematical concepts we will encounter this semester. Wolfram's MathWorld {MW} provides authoritative definitions of mathematical terms. Wikipedia {WP} provides highly visual starting points for additional learning and discovery. Links to Wolfram Alpha (and other Web-based apps) are provided so you can interactively perform certain calculations. Google Calculator can perform the most common calculations (e.g., a mod n, n factorial, n choose k, etc.). For a graphing calculator with audio playback capability, see Desmos.
Keywords:
Geometrical music theory (Hall 2008), Mathematical music theory (Mazzola et al. 2016 & Jedrejewski 2006), Neo-Riemannian theory (Cohn 2012), Pitch-class set theory (Babbitt 2003, Forte 1973, Rahn 1980 & Morris 1987), Scale theory (Tymoczko 2011), Transformational theory (Lewin 1987), Twelve-tone theory (Morris 2007)
Set Theory
{MW}
Subsets
{MW;
WP}
Combinatorics
{MW
| WP}
Necklace {MW
| WP}
Graph Theory
Geometry {MW} (Tymoczko 2011; Toussaint 2019)
Click on an image to see the image credit.
Research
IRCAM, Séminaire MaMux – http://repmus.ircam.fr/mamux/home
Journal of Mathematics and Music (JM&M) {Taylor & Francis}
This journal features emerging research in mathematical and computational approaches to music theory, analysis, composition and performance. USC maintains an electronic subscription to this journal.
MusMat – Brazilian Journal of Music and Mathematics (MusMat) – https://musmat.org/journal/presentation.html
Society for Mathematics and Computation in Music (SMCM) – https://www.smcm-net.info
Geometrical
Music Theory
The following introductory articles
appeared in the journal Science between 2006 and 2008:
Rachel Wells Hall, Geometrical Music Theory {JSTOR; Science} (Hall 2008)
Dmitri Tymoczko, The Geometry of Musical Chords {JSTOR; Author's Website} (Tymoczko 2006)
Julian Hook, Exploring Musical Spaces {JSTOR} (Hook 2006; See also: Hook 2022)
Clifton Callender, Ian Quinn, and Dmitri Tymoczko, Generalized Voice-Leading Spaces {JSTOR} (Callender et al. 2008)
See also: BAIN MUSC 726G Geometrical Music Theory
Fiore, Music and Mathematics (2009), REU Lectures {Author's website}
Shilito, Introduction to Higher Mathematics (2013-20), video series {YouTube Playlist}
Socratica, Abstract Algebra, video series {Website; YouTube Playlist}
Wikipedia, Available online at: <https://www.wikipedia.org>Wolfram, Alpha. Available online at: <https://www.wolframalpha.com>
Wolfram, MathWorld (MW). Available online at: <https://mathworld.wolfram.com>.
Callender, Clifton, Ian Quinn, and Dmitri Tymoczko. 2008. "Generalized Voice-Leading Spaces." Science 320/5874 (April 18, 2008): 346–348. {JSTOR}
Cohn, Richard. 2012. Audacious Euphony: Chromatic Harmony and the Triad's Second Nature. New York: Oxford University Press. {GB}
Crans, A.; Fiore, T.; and Satyendra, R. 2009. "Musical Actions of Dihedral Groups." The American Mathematical Monthly, 116/6 (2009): 479–495. {MMA.org}
Forte, Allen. 1973. The Structure of Atonal Music. New Haven: Yale University Press. {Full text: JSTOR}
Hall, Rachel Wells. 2008. "Geometrical Music Theory." Science 320/5874 (April 18, 2008): 328–329. {JSTOR; Science}
Hook, Julian. 2022. Exploring Musical Spaces: A Synthesis of Mathematical Approaches. New York: Oxford. {GB}
__________. 2007. "Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory? Music Theory Online 13/4 (December 2007). {MTO}
Jedrejewski, Frank. 2006. Mathematical Theory of Music. Paris: Ircam-Centre Pompidou. {Delatour}Johnson, Timothy A. 2008. Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals. New York: Scarecrow Press. {GB}
Lerdahl, Fred. 2004. Tonal Pitch Space. New York: Oxford University Press. {GB}
Lewin, David. 1987. Generalized Musical Intervals and Transformations (GMIT). New Haven: Yale University Press. {GB}
Mazzola, Guerino. 2002. The Topos of Music: Geometric Logic of Concepts, Theory, and Performance, Volume 1. Basel: Birkhäuser Verlag. {GB}
Mazzola, Guerino, Maria Mannone, and Yan Pang. 2016. Cool Math for Hot Music: A First Introduction to Mathematics for Music Theorists. New York: Spring. {GB}
Morris, Robert. 2007. "Mathematics and the Twelve-Tone System: Past, Present, and Future." Perspectives of New Music 45/2 (Summer, 2007), pp. 76-107. {JSTOR}
____________. 1991a. Class Notes for Atonal Theory. Lebanon, NH: Frog Peak. {GB}____________. 1991b. Class Notes for Advanced Atonal Theory. Lebanon, NH: Frog Peak. {GB}
Rahn, John. 1980. Basic Atonal Theory. New York: Schirmer. {GB}
____________. 1987. Composition with Pitch Classes: A Theory of Compositional Design. New Haven: Yale University Press. {GB; JSTOR}
Schuijer, Michiel. 2008. Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. Rochester: University of Rochester Press. { GB; Full text: TCL}Straus, Joseph N. 2016. Introduction to Post-Tonal Theory, 4th ed. New York: Norton. {GB}
Tymoczko, Dmitri. 2011. A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. New York: Oxford. {GB; Full text: TCL}
__________________. 2006. "The Geometry of Musical Chords." Science 313 (2006): 72–74. {JSTOR; Author's Website}
Yust, Jason. "Special Collections: Renewing Set Theory." Journal of Music Theory 60/2 (October 2016): 213–262. {JSTOR}
Reginald Bain | University
of SouthCarolina | School
of Music
https://reginaldbain.com/vc/musc525/