University of South Carolina
School of Music

BAIN MUSC 312
Counterpoint

MUSC 312 | Listening/Analysis


C O U R S E   M O D U L E S
1. Introduction
2. Two-Voice Species
Counterpoint
3. Imitation
4. Three & Four-Voice
Counterpoint
5. Invention
Triangle
              icon Fugue

News

Thanks for a great semester!

Assignments/Activities

See Blackboard

Quotable

Left quote
Counterpoint is a component that gives real energy, and it is about optimism.
Right quote




– Twyla Tharp


Course Description

Analysis and writing in contrapuntal forms

Required Textbook (Open Access)

Mark Gotham, et al., Open Music Theory, Version 2 {OMT2}

Course Documents

  1. Syllabus (pdf)
  2. Listening/Analysis
  3. Reading
  4. Activities
  5. Handouts
  6. Exam Study Guides
  7. Composition Project (pdf) – Due: Fri., Dec. 12, 11:59 pm
  8. Bibliography

Online Resources

  1. Baroque Music Performance
  2. Belkin, Applied Counterpoint {YouTube Playlist}
  3. Byros, Poetry of Tone {YouTube Channel}
  4. Dahn, Bach-Chorales.com {Dahn}
  5. Edwards, Puzzle Canon {Website; YouTube Channel}
  6. Gjerdingen
  7. Gran, Counterpoint {YouTube Channel}
  8. Gotham, et al., Open Music Theory, Version 2 {OMT2}
  9. Lawrence, Bach and Friends (2010)  {MLFilms.com}
  10. Malinowski, Music Animation Machine {Museanim.com}
  11. Mermikides, Milton Mermikides Online {miltonline.com; Gresham Lectures}
  12. NPR
  13. Remeš, Go Figure! Thoroughbass and Composition {YouTube Channel}
  14. Rotem, Early Music Sources {EMS}
  15. Smith, The Canons and Fugues of J.S. Bach
  16. Tepfer, #BachUpsideDown (2021) {Tepfer.com}

Research Tools

  1. Thomas Cooper Library
  2. Dictionaries: Harvard Dictionary | Grove/Oxford
  3. Articles: JSTOR
  4. E-books: Ebook Central | EBSCOhost | Hathi Trust
  5. Scores: CPDL; IMSLP; Alexander Street
  6. Recordings: Naxos | Spotify | YouTube

References

See also: BAIN MUSC 312 Bibliography | Articles

Benjamin, Thomas. 2003. The Craft of Tonal Counterpoint. New York: Routledge. {GB; TCL}

Davidian, Teresa. 2015. Tonal Counterpoint for the 21st-Century Musician. New York: Rowman & Littlefield. {GB}

Gauldin, Robert. 2013/1995. A Practical Approach to 18th Century Counterpoint. Long Grove, IL: Waveland Press. {GB1; GB2}

____________. 2004. Harmonic Practice in Tonal Music, 2nd ed. New York: Norton, pp. A14–A25. {GB}

Gotham, Mark, et al. 2023. Open Music Theory, Version 2 (OMT2). Available online at: <https://viva.pressbooks.pub/openmusictheory/>.

Kennan, Kent. 1999. Counterpoint, 4th ed. Upper Saddle River, NJ: Prentice Hall. {GB}



Updated: December 16, 2025

Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc312/