University of South Carolina
School of Music

BAIN MUSC 312
Counterpoint

MUSC 312 | Listening/Analysis


C O U R S E   M O D U L E S
1. Introduction
2. Two-Voice Species
Counterpoint
3. Imitation
4. Three & Four-Voice
Counterpoint
5. Invention
Triangle
              icon Fugue

News

The Final Exam will be posted on Mon., Dec. 8. It is due Fri., Dec. 12, noon

The Composition Project is due
Fri., Dec. 12, 11:59 pm

Reading

Ralph Turek, The Fugue (Turek 1995b)

Assignments/Activities

See Blackboard

Quotable

Left quote
Counterpoint teaches us how to think in several voices at once. It disciplines the mind in musical logic.
Right quote

– Arnold Schoenberg


Course Description

Analysis and writing in contrapuntal forms

Required Textbook (Open Access)

Mark Gotham, et al., Open Music Theory, Version 2 {OMT2}

Course Documents

  1. Syllabus (pdf)
  2. Listening/Analysis
  3. Reading
  4. Activities
  5. Handouts
  6. Exam Study Guides
  7. Composition Project (pdf) – Due: Fri., Dec. 12, 11:59 pm
  8. Bibliography

Online Resources

  1. Baroque Music Performance
  2. Belkin, Applied Counterpoint {YouTube Playlist}
  3. Byros, Poetry of Tone {YouTube Channel}
  4. Dahn, Bach-Chorales.com {Dahn}
  5. Edwards, Puzzle Canon {Website; YouTube Channel}
  6. Gjerdingen
  7. Gran, Counterpoint {YouTube Channel}
  8. Gotham, et al., Open Music Theory, Version 2 {OMT2}
  9. Lawrence, Bach and Friends (2010)  {MLFilms.com}
  10. Malinowski, Music Animation Machine {Museanim.com}
  11. Mermikides, Milton Mermikides Online {miltonline.com; Gresham Lectures}
  12. NPR
  13. Remeš, Go Figure! Thoroughbass and Composition {YouTube Channel}
  14. Rotem, Early Music Sources {EMS}
  15. Smith, The Canons and Fugues of J.S. Bach
  16. Tepfer, #BachUpsideDown (2021) {Tepfer.com}

Research Tools

  1. Thomas Cooper Library
  2. Dictionaries: Harvard Dictionary | Grove/Oxford
  3. Articles: JSTOR
  4. E-books: Ebook Central | EBSCOhost | Hathi Trust
  5. Scores: CPDL; IMSLP; Alexander Street
  6. Recordings: Naxos | Spotify | YouTube

References

See also: BAIN MUSC 312 Bibliography | Articles

Benjamin, Thomas. 2003. The Craft of Tonal Counterpoint. New York: Routledge. {GB; TCL}

Davidian, Teresa. 2015. Tonal Counterpoint for the 21st-Century Musician. New York: Rowman & Littlefield. {GB}

Gauldin, Robert. 2013/1995. A Practical Approach to 18th Century Counterpoint. Long Grove, IL: Waveland Press. {GB1; GB2}

____________. 2004. Harmonic Practice in Tonal Music, 2nd ed. New York: Norton, pp. A14–A25. {GB}

Gotham, Mark, et al. 2023. Open Music Theory, Version 2 (OMT2). Available online at: <https://viva.pressbooks.pub/openmusictheory/>.

Kennan, Kent. 1999. Counterpoint, 4th ed. Upper Saddle River, NJ: Prentice Hall. {GB}



Updated: December 2, 2025

Reginald Bain | University of South Carolina | School of Music
https://reginaldbain.com/vc/musc312/