MUSC 312 | Listening/Analysis
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C O
U R S E M O D U L E S
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| 1. | Introduction |
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| 2. | Two-Voice Species Counterpoint |
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| 3. | Imitation | |
| 4. | Three & Four-Voice Counterpoint |
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| 5. | Invention |
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Fugue |
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The Final Exam will be posted on Mon., Dec. 8. It is due Fri., Dec. 12, noon
The Composition Project is due Fri., Dec. 12, 11:59 pm
Ralph Turek, The Fugue (Turek 1995b)
See Blackboard
Counterpoint teaches us how to think in several voices at once. It disciplines the mind in musical logic.
– Arnold Schoenberg
Analysis and writing in contrapuntal forms
Mark Gotham, et al., Open Music Theory, Version 2 {OMT2}
See also: BAIN MUSC 312 Bibliography | Articles
Benjamin, Thomas. 2003. The Craft of Tonal Counterpoint. New York: Routledge. {GB; TCL}
Davidian, Teresa. 2015. Tonal Counterpoint for the 21st-Century Musician. New York: Rowman & Littlefield. {GB}
Gauldin, Robert. 2013/1995. A Practical Approach to 18th Century Counterpoint. Long Grove, IL: Waveland Press. {GB1; GB2}
____________. 2004. Harmonic Practice in Tonal Music, 2nd ed. New York: Norton, pp. A14–A25. {GB}
Gotham, Mark, et al. 2023. Open Music Theory, Version 2 (OMT2). Available online at: <https://viva.pressbooks.pub/openmusictheory/>.
Kennan, Kent. 1999. Counterpoint, 4th ed. Upper Saddle River, NJ: Prentice Hall. {GB}
Reginald Bain | University
of South Carolina | School
of Music
https://reginaldbain.com/vc/musc312/