BAIN MUSC 312 Articles

Agmon, Eytan. "The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord." Music Theory Online 3/1 (January 1997). {MTO}

Chiu, Matt and David Temperley. 2024. “Melodic Differences Between Styles: Modeling Music With Step Inertia.” Music & Science. {Sage}

Deutsch, Diana, et al. 2001. “Psychology of Music,” in Grove Music Online. New York: Oxford University Press. {Grove}

Di Stefano, Nicola, Peter Vuust, and Elvira Brattico. "Consonance and dissonance perception. A critical review of the historical sources, multidisciplinary findings, and main hypotheses." 2022. Physics of Life Reviews 43 (December 2022): 273–304. {Science Direct}

Eff, Myk. 2024. “Melodic Shapes: Understanding the combinatorics of gesture contours.” Medium (Sept. 15, 2024). Available online at: <https://soundand.design/melodic-shapes-6006b65051ff>.

Gran, Jacob. 2024. "A General Method for Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint." Music Theory Online 30/2 (June 2024). {MTO}

Huizenga, Tom. 2012. "Bach's Enduring Enigma: An Introduction To The 'Goldberg Variations'," featuring Bach Scholar Christoph Wolff. Available online at: <https://www.npr.org/sections/deceptivecadence/2012/03/19/148913266/bachs-enduring-enigma-an-introduction-to-the-goldberg-variations>.

Segall, Christopher. 2014. "Sergei Taneev's Vertical-Shifting Counterpoint: An Introduction." Music Theory Online 20/3 (September 2014). {MTO}

Tomita, Yo. 1999. "The Inventions and Sinfonias (BWV 702-801)." Available online at: <https://www.qub.ac.uk/tomita/essay/inventions.html>.