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726D
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______________, 2014. French
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_____________. 1967. "Maurice Ravel's
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______________. 1980. "Pitch Organization in Debussy: Unordered Sets in 'Brouillards." Music Theory Spectrum 2 (Spring 1980): 119-134. {JSTOR}
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__________. 1982. " 'Jeux': Playing with Time and Form." 19th-Century
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___________. 2017. "Ravel’s Valses nobles et sentimentales and its Model." Music Theory Online 23/3 (September 2017). {MTO}
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_____________. 2021. Resonant
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Review;
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_________. 2007. The Rest is
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Shibatani,
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Santa,
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Sayre,
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Somer,
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_________. 1995.
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______________. 2018. Broken Beauty: Musical Modernism and the Representation of Disability. New York: Oxford University Press. {GB}
______________.
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______________. 1986. "Recompositions by Schoenberg, Stravinsky, and Webern." The Musical Quarterly 72/3 (1986): 301-328. {JSTOR}
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Trezise, Simon, ed. 2003. The
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TOC}
____________, 1994. Debussy: La Mer.
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Tymoczko, Dmitri. 1997. "The Consecutive-Semitone Constrain on Scalar Structure: A Link Between Impressionism and Jazz." Intégral 11: 135-179. {Rochester.edu}
______________. 2004. "Scale Networks
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______________. 2011. A Geometry of Music:
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Waters, Keith. 2012. "Other Good Bridges: Continuity and Debussy’s Reflets dans l’eau." Music Theory Online 18/3 (September 2012). {MTO}
Watkins, Glenn. 2002. Proof
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Wheeldon, Marianne. 2009. Debussy's
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Wright, Craig and Bryan Simms. 2006. Music in Western Civilization. New York: Thomson/Schirmer. {GB}
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Specific Collection." Music Analysis 19/2 (July 2000):
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Yust, Jason. 2016. "Special Collections: Renewing Set Theory." Journal of Music Theory 60/2 (October 2016): 213-262. {JSTOR}
______________. 2017. "Harmonic
qualities in Debussy's 'Les sons et les parfums tournent dans
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Zank, Stephen. 2009. Irony and
Sound: The Music of Maurice Ravel. Rochester: University of
Rochester Press. {GB}
Updated: September 24, 2026
Reginald Bain | University
of South Carolina | School
of Music
https://reginaldbain.com/vc/musc726d/