Analytical Approaches

1. Animated listening guide
• Ravel's Bolero {YouTube} (Veltman 2021)
2. Annotated analysis
• Debussy's Nuages, from Trois Nocturnes {YouTube} (Reevell 2018)
3. Aurally-based analysis
• Beavers, "Ravel's Sound: Timbre and Ochestration in His Late Works" {MTO} (Beavers 2021)
4. Automated analysis
• Debussy's Syrinx {ResearchGate} (Cambouropoulos and Widmer 2000)
  
5. Comparative analysis
• Paul Daniel Sayre, Technique and Structure in the First Movement of Maurice Ravel's Sonatine for Piano: Comparative Analytic Approaches {MACRO} (Sayre 2002)
6. Compositional models
   
• Ravel's Valses nobles et sentimentales {MTO} (Puri 2017)
• Heinzelmann, Playing with Models: Sonata Form in Ravel's String Quartet and Piano Trio {Ebook Central}, in Unmasking Ravel {TCL} (Heinzelmann 2011)
7. Compositional premise
   
• Peter Kaminsky, Composers' Words, Theorists' Analyses, Ravel's Music (Sometimes the Twain Shall Meet) {CMS} (Kaminsky 2003)
8. Geometrical music theory
   
• Dmitri Tymoczko, A Geometry of Music {Princeton.edu} (Tymoczko 2011)
• DEBUSSY, 'Des pas sur la neige'
9. Graphic music analysis
• Joseph N. Straus, The Art of Post-Tonal Analysis {GB; YouTube Playlist} (Straus 2022)
10. Hermeneutic analysis {Oxford Academic} (Kramer 2000)
• David Code, Hearing Debussy Reading Mallarmé (Code 2001)
• James Hepokowski, Clouds and Circles: Rotational Form in in Debussy's 'Nuages' (Hepokowski 2010)
11. Jazz theory
• Dariusz Terefenko, Fin de Siècle Harmony – A Jazz Perspective {Flipcamp.org} (Terefenko 2016)
12. Listening guide; e.g. 
• Edexcel A-level Music {Pearson 2016}
• LSO, Debussy Estampes Explained: A-Level Seminar {YouTube} (Leach & Moore 2019)
13. Macro analysis {Macro}
• Richard Jean Richards, Unraveling Ravel: The Prélude from 'Le Tombeau de Couperin' {MACRO} (Richards 2015)
• Paul Daniel Sayre, Technique and Structure in the First Movement of Maurice Ravel's 'Sonatine' for Piano: Comparative Analytic Approaches {MACRO} (Sayre 2002)
  
14. Motivic analysis
• Annie K. Yih, Analysing Debussy: Tonality, Motivic Sets and the Referential Pitch-Class Specific Collection {JSTOR} (Yih 2000)
15. Music and disability
• Jillian Rogers, Resonant Recoveries: French Music and Trauma Between the World Wars {GB} (Rogers 2021)
• Joseph N. Straus, Broken Beauty {GB; Videos: Website} (Straus 2018)
16. Music and mathematics (Yust 2017)
• Jason Yust, Harmonic qualities in Debussy's 'Les sons et les parfums tournent dans l'air du soir' {TCL} (Yust 2017)
17. Narrative strategies
• Richard Hoffman, "Debussy's Canope as Narrative Form {CMS} (Hoffman 2022)
• Emily Kirkpatrick, "'Therein lies a tale': Musical and literary structure in Ravel's 'Ma mere L'Oye'" (Kilpatrick 2011)
• Rebecca Leydon, Narrative Strategies and Debussy's Late Style {McGill.ca} (Leydon 1996)
18. Online analytical approaches
    
• Nichole Biamonte, Online Music Theory in Music Theory Online {ResearchGate} (Biamonte 2016)
• See also Web-based approaches and Video-based analysis
  
19. Performance and analysis
• Peter Kaminsky, Listening to Performers’ Writings and Recordings: An Analysis of Debussy’s 'Colloque sentimental' {MTO} (Kaminsky 2016)
  
20. Performer's guide
• Hanoa Productions 2012 {OperaOfTheFuture.com}
  
21. Orchestral analysis
• Jennifer Beavers, Ravel’s Sound: Timbre and Orchestration in His Late Works {MTO} (Beavers 2021)
• Jennifer Beavers, Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major (Beavers 2019)
22. Parallel harmony
• Mark DeVoto, Some Aspects of Parallel Harmony in Debussy {Author's Website} (DeVoto 2005)
  
• David Lewin, Some Instances of Parallel Voice-Leading in Debussy {JSTOR} (Lewin 1987)
  
23. Pitch-class set theory
• Richard Parks, The Music of Claude Debussy {GB} (Parks 1989)
• Annie K. Yih, Analysing Debussy: Tonality, Motivic Sets and the Referential Pitch-Class Specific Collection {JSTOR} (Yih 2000)
24. Proportional analysis
• Roy Howat, Debussy in Proportion {GB} (Howat 1983)
25. Schenkerian analysis
• Richard Parks, The Music of Claude Debussy {GB} (Parks 1989)
  
26. Recomposition
• Gilad Rabinovitch, Reimagining Fauré’s Harmony {Intégral} (Rabinovitch 2023)
27. Reduced tonality
• Mark DeVoto, Debussy and the Veil of Tonality {GB} (DeVoto 2004)
28. Rhythm analysis
• Michael Oravitz, Meter as a Formal Delineator in Two Debussy Préludes {ResMusica} (Oravitz 2015)
29. Scale networks
• Dmitri Tymoczko, Scale Networks and Debussy {JSTOR; Princeton.edu} (Tymoczko 2004)
30. Semiotic analysis
• Nicholas Cook, A Guide to Musical Analysis {GB} (Cook 1994)
31. Style analysis (LaRue 1970, Meyer 1980, Pascal 2001, Gjerdingen 2008, Dannenberg 2010)
32. Transformational analysis
• David Lewin, Debussy's 'Feux D'Artifice {GB} (Lewin 2010)
• Steven Rings, Mystéres limpides: Time and Transformation in Debussy's 'Des pas sur la neige' {UChicago.edu} (Rings 2008)
33. Web-based analysis
• Intégral, e.g.,
• Rabinovitch 2023 {Intégral}
• Music Theory Online (MTO); e.g.,
  
• Bhogal 2020 {MTO}
• Beavers 2016 {MTO}
• Beavers 2021 {MTO}
• Kaminsky 2016 {MTO}
• Teoria
  
• Debussy's Préludes, premier livre {Teoria}
• Ravel's Quatour pour intruments à cordes, First Movement {Teoria}
34. Video-based analysis

Legend:
CMS - College Music Symposium
MTO - Music Theory Online