BAIN MUSC 726A
The Art of Counterpoint
Terms & Concepts
"The Greek language itself made no distinction between art and
craft: both were called technē; a great work of art was
simply an exceptional piece of workmanship (aristourgēma)."
– "Western painting," in
Britannica
Academic {
BA}
Below you will find a listing of terms and concepts we will
encounter in the readings and lectures, with links to
definitions in online music dictionaries, and encyclopedias.
- Basso continuo (abbr. continuo) {BA;
Grove}
- Bicinium {WP}
- Cadence {BA;
Grove}
- Canon {BA;
HD;
Grove}
- Round {BA}
- Prolation canon {WP}
- Puzzle canon {WP}
- Multiple canon
- Double canon, triple canon, etc.
- Cantus firmus (Lat.) {BA}
- Chanson {BA;
Grove}
- Chant, plainchant, or plainsong {BA;
Grove}
- Gregorian chant {BA;
Grove}
- Final {Grove}
- Mode (see Mode)
- Reciting tone {WP}
- Syllabic, neumatic, melismatic
- Chiavette {WP}
- Chorale {BA;
Grove}
- Clausula {BA;
Grove}
- Clefs {WP}
- Contrapuntal motion {WP}
- Parallel
- Similar
- Contrary
- Oblique
- Counterpoint {BA;
HD;
Grove;
OB}
- 16th-century counterpoint (Benjamin
2005; See also Gauldin 2013a)
- Species counterpoint {HD}
(Fux 1725)
- 18th-century counterpoint (Benjamin
2003; See also
Gauldin 2013b)
- Free, or harmonic, counterpoint {Grove}
(Kennan 1999)
- 20th-century counterpoint (Owen
1992; See also: Searle 1954)
- Twelve-tone counterpoint {Krenek
1940; Webern
1963; Mead 1994}
- Micropolyphony {WP}
(Ligeti 1960)
- Polystylism {WP} (Schnittke 1971)
- Polyphony in contemporary popular idioms {Hanson
2024}
- Other
- Emancipation of the dissonance {WP}
(Schoenberg 1984)
- Form {BA}
- Before 1600
- Formes fixes {WP}
(Taruskin and Gibbs 2012)
- Ballade: aab[C]
- Rondeau: ABaAabAB
- Virelai: AbbaA
- Trecento song forms {WP}
(Taruskin and Gibbs 2012, p.
119)
- Ballata: AbbaA
- Madrigal: aa[a]b
- After 1600
- Binary form {BA}
- Ternary form (BA)
- Rondo form {BA}
- Sonata form {BA}
(Hepokoski and Darcy 2011)
- Variation form {BA}
- Fugue {BA;
HD;
Grove}
- Precursors of fugue:
- Simple fugue
- Multiple fugue
- Double fugue, triple fugue, etc.
- Fugato
- Galant schemata {WP} (Gjerdingen 2007)
- Harmony {Grove}
(Cohn 2026 et al.)
- Bach (Benjamin 1986, Appendix 1)
- Basso continuo (see above)
- Interval constellations (after Remeš)
- Centricity (Kleppinger 2011)
- Common-practice tonality
- Tonality {Grove}
(Hyer 2001)
- Twentieth-Century Harmony (Persichetti
1961)
- Homophony {BA;
Grove}
- Homorhythmic {HD}
- Melody and accompaniment
- Imitation {HD;
Grove}
- Invention {BA;
Grove}
- Invertible counterpoint {HD}
- Double counterpoint
- Triple counterpoint
- Isorhythm {BA;
Grove}
- Layer {Grove}
- Textural layers
- Polyphonic layers
- Madrigal {BA}
- Mass {BA;
Grove}
- Cantus firmus mass
- Parody mass
- Paraphrase mass
- Melody {BA;
Grove}
- Mensural notation {BA;
WP}
- Micropolyphony {WP}
- Minimalism {Grove}
- Mode {Grove}
- Modulation {BA}
- Monody {BA}
- Motet {BA;
Grove}
- Motif, or motive {Grove}
- Music of the:
- Renaissance {HD}
- Baroque {HD}
- Classical period {HD}
- Romantic period {HD}
- Twentieth-Century {HD}
- Notation
- III. History of Western notation
- Organum {BA;
Grove;
WP}
- Partimento {Grove;
Partimenti.org}
- Phrase {Grove}
- Polyphony {BA}
- Micropolyphony {WP}
- Textural polyphony (Owen 1992)
- Polystylism {WP}
- Psychology of music {Grove}
(Margulis 2018)
History | Perception and Cognition | Affect | Performance
- Bregman, Auditory scene analysis {WP}
(Bregman 1990)
- Deutsch, Illusions and Research {UCSD}
- Gestalt psychology {BA}
- Quodlibet {BA}
- Recitative {BA}
- Rhythm & meter
- Rule of the Octave {Grove}
- Style analysis {Grove}
(LaRue 1970; See also: Meyer 1980)
- Sound
- Harmony
- Melody
- Rhythm
- Growth
- ---
- Text influence
- Symphony {BA;
Grove}
- Technē (Greek)
- See Western painting {BA}
- Tessitura {Grove}
- Texture {Grove}
- Monophony {BA}
- Polyphony (see above)
- Homophony (see above)
- Hetrophony {BA}
- Theme {Grove}
- Twelve-note serialism {Grove}
(Straus 2016)
- Serialism {BA;
HD;
Grove}
- Serial operations: P, R, I & RI
- Pointillism {WP}
- Klangfarbenmelodie (Ger.) {Grove}
- Hauptstimme/Nebenstimme signs (Ger.) {Grove}
- Voice leading [part-writing] {Grove}
(Huron 2016)
- Word painting {Grove}
Dictionaries and Encyclopedias
- Britannica Academic {BA}
- Harvard Dictionary {HD}
- *
- Grove Music Online {Grove}
- *
- Wikipedia {WP}
See also: EBSCO
Music Research Starters
History of Western Music
Taruskin, Richard. 2010. The Oxford
History of Western Music. New
York: Oxford University Press. {GB} - *
- Music
from the Earliest Notations to the Sixteenth Century {Full
text: TCL}
- Music
in the Seventeenth and Eighteenth Centuries {Full
text: TCL}
- Music in
the Nineteenth Century {Full
text: TCL}
- Music
in the Early Twentieth Century {Full
text: TCL}
- Music
in the Late Twentieth Century {Full
text: TCL}
* - USC proxy server login required
References
See: MUSC 726A
Bibliography
Updated:
July 9, 2026