Fall 2025
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C O U R S E
M O D U L E S
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| 1. | Course & Studio Introduction |
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| 2. | Audio Editing & Transformation |
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| 3. | Interactive Music Programming & MIDI |
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| 4. | Real-Time Digital Audio |
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| 5. | Synthesis | |
| Sequencing |
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News
Thanks for a great semester!
Assignments/Activities
See Blackboard
Quotable
To develop a complete mind: Study the science of art; Study the art of science. Learn how to see. Realize that everything connects to everything else.
– Leonardo da Vinci
Techniques of computer-generated music with a focus on music programming, MIDI, digital audio, and synthesis
Burk et al., Music and Computers {E-book} (Burk et al. 2011)
Hass, Introduction to Computer Music {E-book} (Hass 2021)
Audacity | Max | MIDI | MSP | Digital Audio |
Synthesis | Notation | Reason | Sequencing
Other Topics: History
| SuperCollider
Overview: Google Slides
Chapter Overviews:
Quick Links:
Magazines & Journals
See also: BAIN MUSC 336 Bibliography & Articles
Burk, Phil, Larry Polansky, Douglas Repetto, Mary Roberts and Dan Rockmore. 2011. Music and Computers: A Theoretical and Historical Approach, Archival Version. Available online at: <https://musicandcomputersbook.com>.
Cycling, '74. 2025. Max 9 Documentation. San Francisco, CA: Cycling '74. Available online at: <https://docs.cycling74.com>.
Hass, Jeffery. 2025. Introduction to Computer Music: An Electronic Textbook, 2nd ed. Bloomington, IN: Indiana University. Available online at: <https://cmtext.indiana.edu>.
Reginald Bain | University
of South Carolina | School
of Music
https://reginaldbain.com/vc/musc336/